
Matt Lenny & the Breakdown
Stevensville, MIPress
“This guy is genuinely different. Refreshing! With his vocals up front, Matt Lenny is right in the room with you on this record. Even when the production is raucous, it’s not gratuitous noise. It’s driving into the air straight from the heart. And For The Birds won’t leave your mind behind, either. Everything effortlessly connects.”
“Shimmering acoustic guitar and the subtle twang in Lenny’s voice serve to anchor this rocker firmly in the Americana camp, recalling some of the more intense moments on Brandi Carlile’s latest album — another country-influenced songwriter who understands the majesty of cranked up electric guitar and a huge backbeat.”
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Matt Lenny sings like someone who doesn’t quite belong to the music he’s playing. That’s not an accident.
He found Radiohead in Oklahoma and country music in New York City. Working at Matt Umanov Guitars in Greenwich Village, he’d been touring with loud rock bands, chasing the kind of guitar playing that makes people watch your hands, when one afternoon Steve Earle walked in, picked up an acoustic and started strumming a G chord. Nothing fancy — just a G chord. But it felt like every country song ever written had arrived in the room at once. Lenny picked up the same guitar and played the same chord. Just a chord. Earle’s had soul and groove and power in every strum. That gap — between the notes and whatever makes them matter — is what he’s been chasing ever since. But Bowie and Radiohead don’t leave you just because you’ve found something else.
Now based in Stevensville, Michigan, he performs solo and with his full band the Breakdown: Dave Mendez on lead guitar, David Jamison on drums, Erik Vaveris on bass. Live, they move between spare folk songs and full-throttle rock, sometimes within the same song — Lenny’s voice sitting on top of it all, angular, never quite where you expect it. The songs find people caught mid-reckoning — with faith, with loss, with their own worst habits — observed with the kind of tenderness that makes the dark humor land instead of sting.
New recordings are in the works for 2026.
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